| Wilson Effects |
| Wilson Effects |
| wilson effects |
| wilson effects |
| If you like a wah with a lot of throat that cuts through the mix and has a growl characteristic unlike any other pedal a Rippah series wah may be for you. Think of the early Boomerang wahs. |
| Based on the classic Italian Wah circuit the Q-wah can be set up to be a little thinner sounding if desired or you can add a little bass into the mix. Think of the Jen wahs and Super Crybaby's. This is what the stock setting of the Q-wah is modeled after. |
| Modeled after my very own Clyde Signature Wah. If you are after that vintage Clyde tone with a little bit of flexibility then this wah is for you. |
| Set up to have more bass response on the input signal with a fat punchy low end and a darker growl control than the Q-wah the Wilson series is for you if you like a lot of low end or just a punchy thick wah sound. This is the one to have customized for Bass guitar if you're a bass player as well. |
| The stock setting of this wah is meant to emulate that of the vintage Macari wahs. Set up and tuned right next to my own it doesn't stop there. The T.C.C. gives you 6 different settings so if you like to get your funk on to a different vintage sound it's but a few clicks away. |
| A straight up wah that looks like it's right out of 1967. No tuning adjustments, just a long throaty sweep and loads of vintage tone. The one modern option is an available fuzz buffer add on. |
| So crazy filter sweeps and funky volume swells are your thing. The Freaker is right up your alley and I might add is also another favorite of bass players. |
| So you're a Chili pepper fan or just a fan of the vintage WH-10 but would like a little more durability and perhaps a few more options. Maybe you just want to tame down the volume boost. Well look no further than the Ten Spot II and Funk Factory. |
